Lowest Price on What the Bleep!? - Down the Rabbit Hole

February 7th, 2010 by soon5793230
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This movie is a perfect example of what Nobel Prize Winner Murray Gell-Mann calls “Quantum Flapdoodle”, i.e. an attempt to expend Quantum Theory to help a metaphysical, even mystical, conception of the world. This is often the result of confusing Quantum Theory with the interpretation of Quantum Theory. The premise of the movie seems to be to reveal that we obtain our hold reality through the observation of it. What follows is a lengthy pseudo-scientific explanation of specific elements of Quantum Theory placed in a light that supports a distorted mystical belief.

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One of the first and most glaringly aggravating points about this movie is the editing. Many of the physicists in this movie were filmed for hours explaining Quantum Theory and the mechanics unhurried it, but only win pieces of the footage were ragged out of context to beget it seem as if these experts were supporting a mystical world understanding, when in fact they almost universally scoff at it. Coupled with that is the fact that many of these “experts” actually have no physics credentials, Quantum or otherwise.

But what about the science, you ask. Unfortunately, the science in this movie is abysmal. First, as mentioned before, they confuse the theory with the interpretation. This is simply because they advocate the “observation is reality” conception, which isn’t fragment of the theory. For a theory to be considered science it must be disprovable. Observation creating reality cannot be disproven simply because it would require an observer to validate, which would then invalidate the “theory”. So from the beginning we have a base basis for science.

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Following that, the movie then cites its “proof”, which is also scientifically invalid. The first was the favorite yarn that when Columbus arrived in North America that the natives could inspect “the ripples in the water” but couldn’t survey the ships. Nowhere in the movie does it spot that this is a anecdote… its actually presented as literal fact (though I should price it isn’t implicitly stated in the film that this is a fact, it is certainly implied) . This example fails to fill up to scientific standards for various reasons. First, its hearsay. There aren’t any written records or verifiable evidence supporting the account. Its a epic, pure and simple, and as such proves nothing. Second, it fails entertain the more logical reasons, such as the ripples appearing in the water before the ships had actually arrived, a distinctly logical conclusion.

The second example illustrated the “Maharisi Enact”. For those irregular with the experiment, in 1993 four-thousand people practiced trancsendental meditation in an attempt to lower the crime rate in Washington DC. After the “experiment”, the data was analyzed, tweaked and otherwise manipulated to explain, amazingly, that violent crime was down 18% (though the film claims 25) . This was viewed as proof of the power of group meditation and certain thinking. Sadly, this example also fails to satisfy the rigorous criteria of science. First, there was no control group, and as such no diagram of quick-witted what the crime rate would have been without the meditation. This implies that the lowered crime rate could be the result of several, unrelated factors. Also, the crime rate was only 18% lower than what was predicted by analysis of previous criminal trends in the place. Violent crime increased from the previous year, fair not as grand as was expected by experts. Second, the kill rate during this time actually increased, so while violent crime as a whole increased less than was predicted, more murders were being commited during this time than were predicted. Thirdly, the panel who reviewed the data created by this experiment were followers of the Maharisi and could not be counted as objective, non-biased observers.

The third portion of “proof” supplied is Dr. Emoto’s distinguished Water Tests in which he tapes words to containers of water and freezes them into crystals that, supposedly, perform fine images when nice words like “treasure” and “thank you” are taped to them and putrid, terrifying images when mean words like “I disfavor you” and “I want to end you” are traditional. These words were tried in several languages and sometimes images are ancient as well. Unfortunately, Dr. Emoto’s astounding work has never been independently recreated in a scientific setting. In fact, the James Randi Educational Foundation has offered a $1,000,000 prize to Dr. Emoto if his data can pass a double blind test, a prize which he has refused to even attempt to claim.

After this there is a long discussion about cellular peptides and how these are responsible for all observation, emotion and, in essence, reality. This was the only allotment of the movie that had some sound basis in reality and could be backed up with science. It is 100% accurate that the chemical processes in our brains can vastly finish how we belief reality, which is the basis of psychiatric pharmocology. The movie then moves on to exhaust this as proof of the power of distinct thinking, i.e. “Our brains control how we notion reality so we don’t need mind-altering medications to be ecstatic!” Yay! Except when there’s something horrible with our brain and those chemicals are out of balance. I’d like to perceive somebody remark Charles Manson that all his insanity could be cured by the power of certain thinking!

The final straw that breaks this movie’s proverbial befriend is the inclusion of Ramtha, the 35,000 year former Atlantian warrior spirit brought to us courtesy of a Tacoma housewife named JZ Knight (his “channel” in Modern Age circles) . In a thick, Hollywood-esque Eastern European accent, Ramtha tells us about the wonders of Quantum Physics and how it is the first science to even near finish to explaining magic and miracles. Okay… I don’t even know where to open with this. First of all, if this is a movie about science, why are they including the claims of a Unusual Age cult leader who can’t be verified one map or another. Also, what are this person’s credentials. If its impartial JZ Knight pretending to be some outmoded Atlantian, does she have a Quantum Physics background? Second, if she IS some dilapidated Atlantian warrior, what are HIS Quantum Physics credentials (which could be easily verified with a series of Doctorate level tests)?

Of course, her/his authority is never questioned, and there’s a reason. It took a miniature digging to derive, but the enormous majority of the people enthusiastic in making this film are followers of Ramtha. When this came to light, I was flabbergasted. The fact that most of the movies views topple upright in line with her group’s Current Age philosophy puts an entirely modern waddle on the movie. Suddenly this looks like nothing but one, sizable recruitment fragment for Ramtha.

I gave this movie one star because it does one righteous thing: It gets people thinking about Quantum Physics and reality. Some people who witness this movie might be involved to dig deeper into the real science and check out John Gribbin’s superb series of books about Quantum Physics for the layman. I recommend “In Search of Schrondinger’s Cat” most highly.

As Richard Feynman said, “If you mediate you understand quantum mechanics, you don’t understand quantum mechanics”, and that sums up the major spot with this movie. It provides a belief of quantum mechanics that is absurdly simple and abysmally unscientific. The beauty of particle physics is magical in and of itself, it doesn’t need to be married to philosophy and Unusual Age metaphysics to be fantastic.

I humbly submit that truly open-minded persons ought to design noteworthy utilize of that laudable trait in educating themselves about this movie: the topics it purports to deal with, the manner in which it attempts to narrate them, & the possible motives & intentions of its makers. Also believe with an launch mind the understanding that until one has attained an plan of the topics interested, the objective thing to do is to reserve one’s judgement, especially effusive unearned praise. And finally, try on for size the precept that it’s attractive to inaugurate out with an start mind but not quite so desireable to slay up with one.

Below, for the open-minded, are some suggestions for further reading, grouped by topic. (If the filmmakers had really been very concerned about educating people about these issues, wouldn’t they have leapt to provide this information themselves? )

Overview of the movie:

http://en.wikipedia.org/wiki/What_the_bleep

Analysis of the movie:

http://www.skeptic.com/eskeptic/archives/2004/04-10-01.html

http://salon.com/ent/feature/2004/09/16/bleep/index_np.html

http://nthposition.com/whatthebleepdowe.php

Introduction to the discover of quantum mechanics:

http://en.wikipedia.org/wiki/Quantum_mechanics

Introduction to the variety of interpretations of the formalisms of quantum mechanics:

http://en.wikipedia.org/wiki/Interpretations_of_quantum_mechanics

Followed by ‘Quantum Quackery’ (deals with Amit Goswami) :

http://www.csicop.org/si/9701/quantum-quackery.html

Introduction to issues in the philosophy of science (attempting to understand what science is really all about) :

http://en.wikipedia.org/wiki/Philosophy_of_science

With respect to the filmmakers’ disingenuous & unethical exercise of David Albert:

http://www.thestranger.com/blog/archives/2006/02/05-11.php#a004212

Information about Masaru Emoto & his dubious claims about water crystals:

http://en.wikipedia.org/wiki/Masaru_Emoto

More about this Ramtha cult:

http://www.rickross.com/groups/ramtha.html

http://en.wikipedia.org/wiki/Ramtha

If you’re really fervent in exploring an at least more impartial attempt to justify consciousness as having something to do fundamentally with quantum mechnics, scrutinize into Stuart Hameroff’s work:

http://en.wikipedia.org/wiki/Stuart_Hameroff

Film aesthetics, or why this film, aside from its misapprehensions & dishonesties, is an eyesore & annoyance:

See any film by Luis Buñuel or Andrei Tarkovsky or Jan Svankmajer, honest for instance. Or if you particularly like not-too-deep but pleasantly lively philosophical meandering in film, *Waking Life* & I Heart Huckabees* at least present proper artistry.
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Stream George Carlin: All My Stuff Online

February 4th, 2010 by soon5793230
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So..like many of us ..I already owned mighty of this material and spent the money to find everything in one nice box and the extra 1hr interview…

was it worth it? well, I have mixed feelings..

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I have to rate this 5 stars because it is George and it is classic stuff.

It does NOT have George’s Best Stuff, the dvd on the complete George Carlin box area…which while it is a best of …also has an all time classic bit on “STUFF” from the Funny Relief special ….which is NOT in this place..called “All My Stuff”…so its a minor point but a frustration.

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George is the greatest standup of all time and not only comic, but he makes you Reflect….and that is his special gift and I’ve been a fan since my high school days,which coincided with his early miniature David releases that preceed this plot.

enjoy…and was it worth it to exercise all that money for the extra 1 hour interview…for me ..Yes.

I awoke this morning to some very black news……..one of my heroes has died! George Carlin was one of the greatest comedians of all time and he was so powerful more! Not only did he accomplish us laugh until we cried, he also made some very lustrous and profound observations. With a comedy career spanning over 50 years, this Irish-American life erudite never walked on egg shells or pulled any punches!

Sadly, he was only a few months away from receiving The Sign Twain Prize for American Humor. I’m distinct he was aware of how remarkable he was loved and how special his imprint of comedy is. I’m elated he went out on a high designate with one of his funniest comedy specials ever!…..It’s Poor For Ya! I’ll be the first in line to grasp it when it comes out on DVD. This box space, although not as complete as the title states is an gracious collection of Mr. Carlin’s material.

R.I.P. George! You will be missed!
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Buy Smallville - The Complete Second Season Blu-Ray

February 1st, 2010 by soon5793230
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I have to admit when I first heard about Smallville I had many doubts. A expose about “Superboy” essentially??? No costume? No Flying?

But the producers succeeded in making a superhero expose that is not about a superhero. Tom welling’s brilliantly downplayed role as the young Clark Kent, learing and coming to grip with his powers has been a fabulous surprise to TV viewers and a nice addition to the Superman mythology without making any drastic changes.

While the first season was kind of a “monster of the week” routine with Clark battling a unusual Kryptonite spawned villian each week, Season two really hits it’s trail.

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A site thread is begun exploring impartial who Clark is and why he is on the Earth…and it may not be very kindly. We contemplate More development of Lex and Lionel Luthor as they battle over their company, the Kents, and Lex’s soon-to-be wife.

Clark finds out about his father, Jor-El…and Jor-el wants Clark to do his bidding.

I won’t go over all the episodes but hear are some of the season two highlights:

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“Heat” Clark discovers a current power…heat vision.

“Duplicity” Clark’s best friend, Pete, discovers Clarks Secret. I unexcited don’t like that this happened myself.

“Red” Clark gets his class ring only to accept out it was made of red kryptonite. Red Kryptonite effects Clarks mind. Making him arrogant, rebellious, removing his inhibitions, and he abuses his powers.

“Suspect” Lionel Luthor is shot at the beginning of the episode turning this one into an conventional fashioned “who done it”. Suspects abound including jonathan kent and Lex.

“skinwalker” Clark discovers some veteran caves with drawings on the wall that tell secrets about his origins.

“Rosetta” Perhaps the most vital episode of the season. Clark peep the octagonal key to his ship also perfectly fits into a state on those mature cave walls. When he inserts the key, he is grabbed by a high power. Later, Clark goes to meet a myserious scientist played by Christopher Reeve. He reveals to Clark that he picked up a exclusive transmission during the meteor storm that brought Clark to Earth…And He reveals Clarks valid name..Kal-El.

“Exodus” The season finale and cliffhanger. Clark Destroys his ship but in doing so his parents are cought in the blast and martha loses the baby. Distrought..Clark puts on his red Kryptonite ring and heads for Metropolis.

Meanwhile, Lex’s unusual wife drugs him, and sends him off in an unmanned plane, straight to the ocean.

Season two really began developing the major characters especially Clark, Lex, and Lionel Luther. The series gets stronger and stronger!

First, I’d like to say a few things about how the second season differs from the first season, and then I have somemore general comments about the series so far.

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In the second season, the status lines introduced in the first season are developed even further. Clark’s relationships with Chloe and Lana become even more difficult, and the terrible guys fetch even stronger powers from the Kryptonite. We survey Lex going even further to protect Clark and his family, but he has even more serious problems as well, both with women and his relationship with his father. Finally, even Clark’s character takes a turn toward the unlit side at the very demolish of the second season due to contact with “red Kryptonite,” which has an execute on Clark’s brain, different from the weakening do green Kryptonite has on his body.

As a boy growing up in the 60s, I was an avid fan and reader of Superman comics. I didn’t bag this series when it first aired, but I found it at my local movie rental store and my curiosity led me to rent it. So far I’ve seen all of seasons one and two and a few episodes of season three, and was impressed enough that I wanted to construct a fast comment.

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So far I haven’t enjoyed a TV science-fiction series this powerful since the new Star Crawl. The series’s strengths are the enthralling yarn ideas and the strong cast, all of whom strike unbiased the legal notes in their roles, and are really qualified. And for a TV prove that’s probably operating on a small budget, the special effects are impressive. Clark is stout and also Lana Lang. But the true indicate stealer is Michael Rosenbaum, who is terrific as Lex.

I trace one dour sounding reviewer here who says it’s a poor demonstrate and the acting is ghastly, but advance on, it’s a TV present based on the well-known humorous book series, and to me it seems honest like watching it on the shroud instead of reading the comical. The teenagers and adults seem more like true people who might have grown up in a petite midwest town like Smallville rather than polished, professional actors, and I liked that. They’re not making Citizen Kane or War and Peace here, and if I want to increase my cinema I.Q. a few points, I can always rent those. Personally, I’ll grasp Smallville, which is a lot more fun. :-)

So I believe the acting and performances are honest resplendent and strike unbiased the legal label, especially Lex’s. But this is a Lex with a incompatibility. He isn’t the infamous mastermind of the comics out to collect Superman. Here he’s a expedient guy and Superboy’s friend, and although sometimes he does resort to, shall we say, positive morally questionable and capable means to enact his goals, he truly wants to protect Cark and family and friends. There is no doubt he has a unlit side, but it’s mostly kept in check and when it does arrive out, it’s usually to fight an even more wicked dreadful guy who’s out to prove or exploit Clark or to wound his friends or family. In other words, to fight inappropriate, you need an even sneakier and more ruthless dreadful guy who’s level-headed on the side of grand. :-) It’s a shimmering idea and one of the ideas that really compose the demonstrate stand out from the herd.

John Glover as Lex’s father is also expansive, and their continual attempts at one-upmanship develop mighty of the tension and drama in the exhibit, as you wonder who will secure this round and what will they be up to in the next episode–which is almost always something. :-) Glover looks like he is enjoying himself more than any other person in the cast, and he is the one indubitable unpleasant guy. I’ve never considered the matter before, but I consider actors delight in playing dreadful guys even more than noble guys, since that’s one thing you can’t do in true life without negative consequences.

I’ve spent a lot of time on Lex and his father so I don’t want to overlook the other characters, but as I unprejudiced wanted to write a brief review, I’ll fair say they’re all really huge in their roles too, especially Tom Welling and Kristen Kreuk. I unprejudiced believe that Allison Mack overplays the jealousy thing for Clark and Lana a bit too great, but otherwise she’s astronomical as the heroic reporter for the Torch who has a promising career ahead of her in journalism.

One other spirited opinion is that the Kryptonite meteorite fragments are creating uncommon abilities and talents in different people, aside from its property of being toxic to Superboy. This understanding wasn’t in the unique comics that I can remember, but it’s a substantial conception nevertheless.

So far I judge this is sizable series and the best thing in a sci-fi indicate to approach along in a long time.
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Lowest Price on Sayonara

January 28th, 2010 by soon5793230
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Marlon Brando stars in “Sayonara,” a 1957 adore chronicle based on the James Michener fresh that tackles the instruct of interracial romance. Brando plays a Major in the Air Force stationed in Korea, who also happens to be the son of a big-shot General and is wooing the daughter (played by Patricia Owens) of a Lt. General. When one of the men under his hiss (Red Buttons) declares his intentions of marrying a Japanese woman (Miyoshi Umeki), Brando tries to talk him out of it. When Brando and Buttons are transferred to Japan, Brando re-ignites his relationship with his girlfriend who is living there with her family. However, he also starts to realize that he’s never explored what he actually wants in life - everything has been dictated by his family and social set. He then surprises even himself when he is attracted to a mysterious Japanese dancer, played by Miiko Taka.

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“Sayonara” is surprisingly effective, both as a romance and as an “issues” movie; it really stands up better than most “issues” movies of its time. Most of the reason is because of the advantageous acting; Buttons and Umeki won Oscars for their supporting roles. In addition, Brando gives an under-stated, sensitive performance in his Oscar-nominated role. Fortunately, the outstanding acting allows the audience to hold Brando’s transformation as well as the relationships that get, which is crucial for this film. Director Joshua Logan also does vast work here, especially as he’s best known for rather over-heated, unsubtle movies such as “Bus Discontinuance” and “Picnic.” The cinematography is aesthetic and the segments in the Japanese theaters are wonderfully staged. Although “Sayonara” is a bit on the long side and probably could have feeble some editing, it’s a first-class drama. Highly recommended.

When I was a teenager, James Michner was publishing his early books, “Fires of Spring” “Tales from the South Pacific” “Bridges at Toko-Ri” “Sayonara” “Until They Skim” and “Hawaii.” I saved my allowance and bought all these books, and though I’ve traveled extensively and moved many times, I’ve hung onto them. They affected my life more than anything else I’ve read, and they point to the fact that the issues so often seen as “arising” in the 1960s (racism, sexism, pacifism) were really issues in the 1950s.

Sayonara stars Marlon Brando as Major Lloyd Gruber, a U.S. Air Force field officer stationed in Japan, who is destined to follow in his father’s footsteps and become one of the “joint chiefs” if he plays his cards honest. Toward that slay, his father does not want him to do anything to jeopardize his career–especially the unthinkable–marry “indigeous personnel” as the Japanese were called in U.S. occupied Japan. Lloyd is to marry a young woman who is the daughter of a fellow senior officer. I won’t stutter you how the myth develops but objective say the book and the film are different.

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James Michener was in the Navy and he married a Japanese woman. He went on to grunt English in Texas and set aside together a elegant collection of Japanese prints when they were inexpensive. Michener never forgot his WWII experiences and he captured them in his books. In the fifties, military personnel began to marry War Brides as they were called. By the 1960s when I was a Marine officer’s wife, many of my fellow wives were from foreign countries in Europe, Asia, and Africa. I did not understand why the U.S. had hurry problems since the military was so well integrated–at least in tainted housing.

One of the most touching sights I hold from those days was the Japanese wives leaving the PX theater in tears after the showing of Sayonara, which was playing in military theaters 20 years after it opened. This is a dazzling film, and shows a Japan that is calm recovering from the aftermath of war, but nevertheless radiant. It is difficult to understand how the people who created the tea ceremony could also have produced such fierce warriors. It’s indispensable to remember that Sayonara takes location a mere 8 years after the extinguish of WWII. The Bataan Death March and other atrocities were calm gorgeous current, and yet the American public loved this film and loved Michener’s books. Their response says mighty about their ability to forgive.
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Stream Record of Lodoss War - The Complete Series Movie Online

January 21st, 2010 by soon5793230
Stream Record of Lodoss War - The Complete Series Movie Online. Stream Record of Lodoss War - The Complete Series Movie Online.

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Parn is a young warrior living in a tiny village whose father was a holy knight, who was eventually forced to leave in disgrace. Parn is positive to secure his family’s name. Then one day Parn saves a young woman who is attacked by a gang of goblins in the woods. That goblins should be out in immense daylight is very weird, since they normally only reach out at night. Later the other villagers berate him for killing a goblin, since they’re definite more will near and retaliate by attacking the village. This does happen, and it’s up to Parn and his conventional friend Etoh, a cleric, (a priest who specializes in healing spells,) as well as two other warriors, Ghim, a dwarf warrior who has embarked on a quest to regain and bring relieve home Karla, a young priestess, and his sorceror friend Slayn, to defend the village. After the battle with the goblins is over, the mayor sends Parn and Etoh out to score out the cause of the goblins queer behavior, like going out in daylight. Ghim and Slayn go with them. Soon the four are joined by Deedlit, a high elf maiden. It isn’t long before they are captured by guards of the kingdom of Mice (yes, that’s what it’s called,) who suspect them of being enemy spies, and taken prisoner. While in prison they meet Woodchuck, a thief. They learn of the corrupt kingdom of Marmo, which is going out on a skedaddle of conquest. Soon the captain of the guards meets them and realizes what a mistake has been made, and he orders the five released. Parn wants to join the guard ranks, but then Marmo attacks. The heros are unable to cessation the oncoming army, and barely compose it out with Woodchuck in tow. Now they must embark on a quest to achieve Loduss from sinister.

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Just about everything is big about this point to, including the articulate acting in both lanuges, but there’s one serious plight in the continueity that might have some people confused. Episode 1 actually takes area AFTER episodes 2-5. Why they did this, I have no understanding. Anyway, if you want the leer the episodes in their great order, discover them like this:

#2:Blazing Departure

#3:The Unlit Knight

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#4:The Grey Witch

#5:The Desert King

#1:Prologue To The Legend

After this, go to episode 6,”The Sword Of The Unlit Emperor:, and contemplate the rest of the series in order.

Alrighty, what can I say that hasn’t really been said? I disagree with some of the reviews. I’ve seen both sets, and this one by far is better. I don’t understand where one reviewer got the “Grainy” viewing on DVD, mine doesn’t have that. Yes, the English dubs aren’t as excellent as the origional voices, but that’s a given in almost any anime.

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The first episode is a catcher episode, but takes site later in the area. Aside from that, I found nothing confusing about it, even when the people split up and it skipped encourage and forth. The only annoying thing about it is the slight commercial atomize thingy in the middle of the episode. If you sit down and glimpse all 13 in a row, you’ll know what I mean.

I enjoyed this anime more than the others of it’s type because it has character. You survey progress with each character, as they become more proficient in their abilities. Another plus is that even though Reliable triumphs over dismal, pleasant isn’t the unstoppable force that only takes a few scratches. Some major setbacks occur, and I almost had to peek a couple scenes twice to gain distinct that really happened, my mind woulnd’t occupy it. The storyline also includes several position twists, that will effect you actually reconsider who is reliable and who is dreadful.

The bulky VHS cost me almost twice the DVD cost. When I saw it for DVD for only 50 bucks, I ran out and bought it. This is most definately worth every penny I’ve spent, and I’ve seen the entire series 3 times and am quiet not tired of it. I highly recommend this not honest for any anime fan, but for any fantasy fan as well.
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Download Rocket Science

January 12th, 2010 by soon5793230
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I won’t look the DVD until my order arrives–but I saw every episode of the series more than once, so I feel kindly to comment. This is simply the best documentary ever made on man in plot, from Goddard to today. I was there when most of this stuff happened, studying it with substantial interest and halt attention–there was a time when I could have shown you a hand-drawn chart of the first 50 satellites to leave earth, listing payload, weight, thrust, orbital characteristics and purpose. I’ve been a science fiction reader all my life. I’ve been a science fiction writer for over thirty years, professionally concerned with region and men in state. And I learned at least two Astounding things I hadn’t known in every single episode of this noteworthy documentary. (Pudgy disclosure: I appear briefly in one or two of them.) Beyond that, the myth I already knew is told visually with impeccable skill and dramatic flair by producers Michael Lennick and Michel Plaxton, using a combination of existing footage and live interviews. They should indicate this DVD in all high schools. It’s a disgrace that Discovery USA did not hold this up from its sister Glance Canada network. It should be shown on PBS, and CBC, and BBC. It is thrilling, informative, exhaustive, shining and animated. It left me both fiercely proud to be human, and frustrated by the inexplicable disinterest of most of the electorate. Men dreamed remarkable dreams, once, not that long ago. If enough people peek this DVD, those days might (please!) near again.

I mediate this is the most comprensive history of the evolution of rockets from Melies to the landing on the moon you will come by anywhere on video. Contains both historical footage and fresh interviews with participants to the moon program and the X-planes. It’s sometimes a petite long but I beleive you score the most honest represent of what it was and what drove the run to the moon . To me that’s worth far more than fine pictures of actors pretending to be rocket scientists or astronauts. Well worth the money.
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Watch Hitler’s Britain

January 5th, 2010 by soon5793230
Watch Hitler's Britain. Watch Hitler’s Britain.

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rather over dramatic introduction to each chapter. It begins accurately enough, with the first year of World War II. France & all of Europe had been defeated by June 1940 & the English Channel Islands have been occupied. Preparations have already been made for the defeat of England & Operation Sea Lion, the exact invasion in September 1940. Interestingly the German troops occupying The Channel Islands & Paris were well behaved & actually spent their fill money on the local economy. This may have lulled many Brits. Then alternative history takes over with a vengence. The German air force badly defeats the RAF, the ability to compose more planes & the early warning system of radar stations are destroyed. Having cleared the skies the Germans employee the dreaded blitzgrieg by air & 100,000 land troops. Churchill is killed in his bunker & the royals waft to Canada. The home guard & what is left of the British army retreats from the coastal areas in disarray. Six weeks later the Germans march into London. Now the the Nazis steal off the velvet glove. Preparations for the administration of an occupied Britain had been made years before, that reality is made definite in this movie. Most alternative history strains the bonds of credulity & Hitler’s Britain is no exception. That is section of the enjoyment. So 2,000,000 men are rounded up & sent to Paris as POW’s & hostages so the rest of the population behaves & does not resist. Quite a task to do so speedy. The Nazis even have a exiguous gloomy book with the names of socially prominent people. Masons, Socialist, Liberals, Jews are all identified. Especially immigrant Jews. They were targeted for immediately disposal. In reality the British has already done this diminutive task rounding up all non-native Jews as war approached. The police were co-opted by collaborators in their miidst & appeasers like Lord Halifax were enisted to abet. Edward VIII, abdicated as king of England before the war had been identified as sympathetic to the Nazis & was reinstalled as King. The movie extrapolates on. Britain’s atomic secrets from America are obtained by Germany & the rocket science we obtained beget German scientist in reality is never realized. The last scene of a Swastika on the mooon is quite disconcerting. The movie is entirely done with newsreel & documentary footage, some you may even glimpse. But if you like history or even “what if” history you’ll be pleased this.

On the whole, this DVD is acceptable, especially given the bargain mark, under $10.00, and 95-minutes of running time. Nevertheless, I expected more on what the British might have had in store for the Germans had they really attempted an invasion, pursuant to Operation Sea Lion. That invasion would have launched something like 250,000 men onto the shores of southern England in an inconvenience to lift over the country by force in the summer of 1940. Encourage from the German navy and air force would have been massive, but precarious, given the strength of the RAF.

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It’s been rumored that Winston Churchill planned to pull out all the stops to repel any invader by flooding the shoreline with petrol and setting it ablaze. Then, as the Germans had tried to land, Spitfires, Hurricanes, and Mosquitos would have bombed them with mustard gas. If this had happened a major conflagration might have resulted. Then, Hitler would likely have retaliated with poison gas bombs from attacking airplanes and the British would have paid dearly. RAF Bomber Stammer would have attacked major cities in Germany the same plot and the loss of life would have been staggering.

The DVD mentions next to nothing on this topic. Rather, it shows what would have happened to England and the rest of Tall Britain had the Nazis taken over the country as they had in France, Holland, Denmark, Norway, and elsewhere. The DVD is OK for what it is, but could have offered a lot more.

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In Search of Shakespeare Movie Streaming

December 28th, 2009 by soon5793230
In Search of Shakespeare Movie Streaming. In Search of Shakespeare Movie Streaming.

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+++++

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“What a section of work is man!

How splendid in reason!

How infinite in faculties!

In make and entertaining, how relate and admirable!

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In action, how like an angel!

In scare, how like a god!

The beauty of the world!

The paragon of animals!”

The man this program is in search for is the one who wrote the above pretty words and, as well, wrote many verses and words like it. His name: William Shakespeare (1564 to 1616), “[a man] not of an age, but for all time.”

Surprisingly, not considerable is known of Shakespeare’s life, until now. The eager Michael Wood takes us on a incredible run to glance unbiased who Shakespeare was. We learn about such things as follows:

his parentage; his birth; his times, the politics and religion of the time; his youth; his marriage and loves; his “lost” years; his London years; his career; and his plays and sonnets.

There are four parts to this program (originally aired on the Public Broadcasting Residence) . Each includes a very brief introduction that I will reproduce here:

(1) A Time of Reformation (9 scenes including introduction and credits)

“Like all stories in history, this is a search for ghosts. A quest for the people that made us what we are. And for one man in particular. William Shakespeare is the most noted writer of all times…Yet his life is level-headed shrouded in mystery…This is a historical detective chronicle…searching for the life of William Shakespeare of Stratford Upon the Avon.”

This is the only fraction where Wood gives a summary. He says,

“There’s the first nineteen years of Shakespeare’s life. [Wood then proceeds with his brief summary...] and that’s objective the beginning of the record!”

(2) The Lost Years (8 scenes)

“How did a bad country boy…become such a celebrity so soon after he arrived in London? It’s one of the large mysteries of Shakespeare’s life…Ten years before Shakespeare had been…in Stratford with no job and few prospects. How did he do it? How did he earn that leap? And what did he do in those ten years? ”

(3) The Duty of Poets (8 scenes)

“In the 1590s the English theatre entered its golden age and for the next twenty years its brightest star was William Shakespeare. But encourage in the early 1590s, Shakespeare was one of many gifted young poets. What was it that transformed him in the next few years to the greatest thing anybody had ever seen. What happened to him in his career and his private life? ”

(4) For All Time (8 scenes)

“For William Shakespeare, 1603 was a very sterling year. Writer, actor, director, he was now the artist and chief of Elizabethan theatre. He created some of the greatest characters in literature…In [England], theatre wasn’t impartial entertainment, it was celebrated and political - it had a thrilling and risky power. Shakespeare…is…in his gradual thirties…Out of the experience of his life and the turbulent times through which he lived, the current worlds and the lost worlds, he pulls it all together in some of the greatest works of literature ever written. It’s that last epic and the mysterious slay to his career that we’re going to narrate.”

Wood travels extensively to different places, talking and interviewing people. He even reads from the valid historical documents that reveal something about Shakespeare, some of it uncovered only recently!

The cinematography is breathtaking. The photography inside steady buildings of Shakespeare’s time is improbable. The background music compliments Wood’s memoir.

Special mention should be given to the Royal Shakespearean Company who recede with Wood. They act out bits of not only Shakespeare’s plays but other plays of that time (such as those of his rival, Christopher Marlowe) . You’ll hear bits of his plays from each of these categories:

the Romantic Comedies (example: “A Midsummers Night Dream”) ; the Histories (example: “Henry IV,” Portion 1) ; Tragedies (example: “Macbeth”) ; and the Tragicomic Romances (example: “The Tempest”) . (There was no example from his “Spot” plays.)

There is one DVD extra (about twenty minutes) that has eight scenes. It is quite friendly.

The DVD’s describe and sound quality were perfect. There were no distracting artifacts.

Finally, if you’re a William Shakespeare fanatic like I am, then you’ll bask in this program. I learned a lot of recent things that I was not aware of before. If you’re a newcomer to Shakespeare’s life then I envy you. This program is the best introduction to his life, in my thought, that there is.

In conclusion, be obvious to opinion this program and regain out why Shakespeare discovered that the duty of poets was “to scream what we feel and not what we ought to say!”

(2003; 4 hours; 2 discs; made for TV; wide camouflage)

+++++

It is more than quarter of a century since Michael, nearly recent out of Oriel College Oxford, first appeared on our TV screens. Clad in unfusty denim, he hurled himself about the substantial English outdoors, enthusiastically telling us about Eric Bloodaxe and Co in the BBC series ‘In Search of the Unlit Ages’.

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Since then, Michael has been abroad with ‘In Search of the Trojan War’, ‘In the Footsteps of Alexander the Great’, and … well, you pick up the general relate.

Now he’s abet in England — mostly Warwickshire, Lancashire and London, actually — and he’s ditched the denim in favour of the Barbour ‘Bushman’ jacket and Karrimor backpack. This four-part programme is as mighty a celebration of England’s landscape and dilapidated buildings as it is the epic of our greatest playwright. The photography is exceptional, the music well-composed, and Michael is always a excellent companion to escort us around the key sites. We also exercise distinguished time in the company of the RSC, as they disappear around the more authentic venues to create excerpts from Othello, Henry IVth Portion Two, Romeo & Juliet etc.

There’s always latent expect on British TV for Shakespeare insmall, digestible chunks. It is one of the regrets of so many adults that they wished they liked Shakespeare more … if only it wasn’t so worthy work to luxuriate in him, compared to ‘Friends’ etc. Here Michael makes him very digestible. If you could cope with ‘Shakespeare in Love’, then you can handle this series. The scrape for me is that, having now viewed it once, when will I next want to view it again? Probably in a couple of years’ time. This is really a DVD to seize, view once, and then lend to friends and family.

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One challenging moment: in the College of Arms sequence, William Hunt, who old-fashioned to speed the HAC recruits course, takes Michael through the creation of the Shakespeare coat of arms. For the final shot, Mr Hunt is suddenly wearing his mess kit — why??

But aid to the actual world: one of the strengths of this series is that it shows the audience so clearly entranced and enjoying themselves. If this series doesn’t have you rushing out to remove a copy of Ovid’s Metamorphoses, it should at least persuade you to finish watching the telly and go out to the theatre, which can be no dreadful thing.
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300 Review At Amazon.

December 17th, 2009 by soon5793230
300 Review At Amazon.. 300 Review At Amazon..

Product: 300
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A more intense shot of testosterone you will not fetch in any film. Equal parts bravado, guts and glory, “300″ is simply the most inviting film to near out this year - or in several. Criticized for its violence and gore, fans of Miller’s graphic novels will obtain that violence and gore to be as beautifully depicted on the shroud as in the print version. A highly hyped CGI affair the cast could easily have been overcome by the sheer impressiveness of the physical production. To his credit director Zack Snyder is blessed with and uses a cast every bit equal to the challenge of competing with Miller’s sad astonishing buy of the Spartan’s greatest legend.

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Gerard Butler (Phantom of the Opera, Dear Frankie, etc.) adds yet another impressive and wildly different character to his arsenal of shroud roles. As Leonidas, King of Sparta, Butler is, from his pigtail to his muscled, sandled feet, every fling a king; a legal leader of men. His passion and intensity is matched by a stunning performance by Lena Headey as his wife, Queen Gorgo. Though a dutiful wife and a woman in an age when being such was come equal to slave space, she is, in her method, as intrepid and valorous as her husband/King. Dominic West is properly faulty and oily as the traitor Theron and he’s as spoiled and duplicitous a villain as one can hope for. Rodrigo Santoro as a larger-than-life Xerxes is both laughable and fearfully creepy equal parts travel queen and wanna be god. Slack all the glitzy piercings and bling, he is diminutive more than self-inflated egotistical child.

While there is blood and gore aplenty, the film also happens to be emotionally satisfying and I found myself with tears welling up in my eyes more than a few times, as well as wanting to raise my fist in the air along with the jacked-up Spartans! While a macho stoicism pervades their attitudes, there are, to be determined, signs of a greater humanity beneath those ripped abs of Sparta’s army - and plenty of heart.

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Parallels and allegories are already being drawn between today’s warring world climate, shapely power dominations and the world of passe Greece and the Middle East. While this provides an bewitching commentary, I heartily recommend leaving that baggage at home and appreciating “300″ on its contain and embracing its escapism.

Larry Fong’s cinematography ensures that “300″ is eye-poppingly ravishing from launch to effect - a delicate feast for the eyes while Tyler Bates’s derive is guaranteed to retain your adrenaline pumping as it matches - frame-for-frame the visual intensity presented on the mask. While critics are divided on this one, audiences are flocking to it and cheering. For noble reason, too: “300″ is fair primitive yarn telling wed to the very best 21st century filmmaking has to offer. Perceive it!

Ah, to be male in Musty Greece: “300″ is a testosterone-driven fantasy in which all men are intrepid warriors, driven by the need for battle and bloodshed. War is depicted as gloriously as any geek loner-type could hope for, with every soldier being the epitome of strength, courage, and physical brute force. Emotional bonding, sensitivity, and compassion don’t even reach into play; these men were trained to be ruthless killing machines, all in the name of preserving the glory of Sparta. This would no doubt be a ridiculous film if the legend were presented in a straightforward, mainstream plot. But straightforward and mainstream, “300″ is not; this is pure, hard-driving escapism, from the frenetic battle sequences to the clarify special effects to the over the top performances. In this sense, it’s absolutely knowing.

And it gets even better. Every shot, every setting, and every event is accentuated by a peep so stylized that it’s practically a living duplicate of Frank Miller’s unusual graphic modern. This was achieved through computer-generated imagery, which was responsible for creating most of the film’s locations. Bluescreen technology–also utilized for another improbable Miller adaptation, 2005’s “Sin City”–made for a majority of the sets, leaving very exiguous for the actors to actually work with. I can only imagine the inconvenience that went into post-production, the endless hours of crafting landscapes, characters, and special effects all with the click of a mouse. The work paid off; the demolish product is an effectively heightened reinterpretation of reality, a kind of living illustration that transcends any sense of time or site. It’s the perfect survey for war epic of this caliber, something so grandiose and overplayed that you can’t obtain enough.

The spot is fairly simple: it’s a retelling of the 480 BC Battle of Thermopylae, in which the Spartans fought against the Persians. King Leonidas (Gerard Butler) and his army of a mere 300 soldiers are ready to defend their land against the foul King Xerxes (Rodrigo Santoro) . This is despite the fact that 1) they don’t have the blessing of the gods to go to war, and 2) they will fight against an army of over one million. But this matters not; Spartan males are trained to be warriors at a very early age, essentially the day that they’re born (only the largest, strongest newborns are spared; the tiny, sickly ones are unceremoniously thrown off of a cliff) . They are taught the stunning art of combat. They are made to capture all kinds of physical distress, including lashings. They are conditioned to never retreat, even when facing insurmountable odds. Leonidas successfully survived such rigorous training (his first major battle was against a frightful wolf with shapely eyes), as did the rest of his men. Now, they are ready for battle.

And after taking situation reach a beachfront cliff, the Spartans retract in ferocious battle with the Persians. Never on film has war been so distinguished fun to gawk. This is probably because each sequence was beautifully photographed; even graphic shots of stabbings, amputations, and decapitations are so artfully constructed that it’s hard to gather them as irascible. The bodies of Persian soldiers are traditional to do a blockade of surprising strength. Blood spatters from gaping wounds in murky, unrealistic globules, effectively looking more like spots of ink. There’s a moment when arrows flit through the air in numbers so colossal, they block the light of the sun. Nearly every shot is drawn out, often going in insensible motion to indicate how carefully choreographed the gratuitous violence is.

The Spartans also fight against the Immortals, an army of noxious yet fantastical creatures with an appetite for destruction. They were appropriately crafted as one-dimensional barbarians, made more effective because of their appearances; they wear long shadowy robes, and their pale, unsightly faces are hidden late Tragedy-style silver masks. Where they came from is anyone’s guess. I relate it doesn’t really matter, especially since they pave the map for a number of other ghoulish creatures that would give the creations of Clive Barker a hurry for their money. They–and every aspect of the film, for that matter–make it distinct that the genuine emphasis is on style instead of myth, which under different circumstances would design for a sad experience. But in this case, it works quite well; while a obvious yarn is being told, it would be of diminutive significance were it not for the special effects.

This isn’t to say that the chronicle of “300″ is unpleasant. Quite the opposite: despite being simplistic, the account is quite strong, especially when a couple of subplots are factored in. Support in Sparta, Leonidas’ wife, Queen Gorgo (Lena Headey), is up against a despicable Senate, already bought out by the Persians in order to ensure Sparta’s stability. The arrogant and treacherous Theron (Dominic West) is clearly not ready to handle a woman of such strength, especially since she fully supports Leonidas and Sparta’s involvement in the war. Because she intends to plead to the Council for the deployment of more soldiers, Theron challenges her authority by exclaiming that her words will drop on deaf ears.

Another subplot involves Ephialtes (Andrew Tiernan), a hunchbacked, hideously deformed Spartan who begs to join with Leonidas and fight against the Persians. Leonidas appreciates his passion, but refuses to let him fight; he’s unable to win his shield, and this would only perform a customary region in their defense system. Feeling rejected, Ephialtes personally appeals to Xerxes, who promises a wealth of power, money, and pleasure in exchange for loyalty. This scene takes area in Xerxes’ den, in which a throng of misshapen creatures engages in an orgy. Before “300,” I never would have believed that any film could include such a scene, or at least a scene that would work in any design, shape, or develop. I was wrong; it was a racy scene, forcing the viewer to reassess what is heavenly and what is repugnant.

The film is narrated by Dilios (David Wenham), a Spartan soldier with a hard-edged masculinity that shines through despite a deceptively soft boom. He recalls Leonidas, Sparta, and the Battle of Thermopylae with eloquence; when considering the heavy-handedness of war, this is no minute task. Yet he always gives a perfect delivery, and that only strengthens the appeal of “300.” This is in a world all its gain, a world dominated by battle cries, sword fights, and bare-chested men that are ripped like bodybuilders. It’s all thanks to Frank Miller, whose creative vision has allowed for a truly recent theatrical experience. If he creates another graphic current, I can’t wait for it to be adapted for the huge camouflage.
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Buy Nip/Tuck - Season 5, Part 2 Blu-Ray at Amazon.

December 12th, 2009 by soon5793230
Buy Nip/Tuck - Season 5, Part 2 Blu-Ray at Amazon.. Buy Nip/Tuck - Season 5, Part 2 Blu-Ray at Amazon..

Product: Nip/Tuck - Season 5, Part 2
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Part 2 of Nip/Tuck season Five is only sightly better (less chaotic, and not as expressionless) than Portion 1 (which i would rate 2/5) . It is quite murky how far this indicate has fallen. If you are a hardcore fan of the point to, steal this status up, if not, leave it alone.

I’m here not to complain about imprint, but the quality of the display. Season five was a mixed bag of inane anecdote lines, many stretches of epic and spot were it honest came of as “No they didn’t do that…how tiring,!!” This season suffered scheme more than a lot of other crazy/zany/impossible sort of Nip Tuck-esque storylines. Season 5 of Nip Tuck wasn’t that vast. Too many topics were a come….a expansive time advance that made the exhibit unwatchable at times. Stick to seasons 1-3 and perhaps some of #4 if you want classic, novel, Nip Tuck.

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So Amy, you are not a triple threat but a no-threat. This season is the worst out of all of them!!! Your review is awful. Awful poor poor!
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